Types of Furniture | victoriandepot

Furniture styles

This page is dedicated to giving some history on Victorian furniture and the different styles of furniture there was during the Victorian time period 1837-1901

The first style of Victorian Furniture we will discuss is Gothic Revival.

Gothic furniture creations saw a revival between 1840 and 1860. This is also called the era of Gothic Revival. Wooden fixtures belonging to this period are grouped under New Gothic Furniture or modern Gothic.

Gothic Revival 1840-1860- Gothic Revival was not the most lovable architecture and furniture style in Europe and United States in the 19th century. It was deemed uncomfortable, ornate and pretentious. Its chairs look like thrones, and its tables and sideboards have a massive presence that can at best be called dignified. Known for high backs, triangular peaks, quatrefoils, Trefoils, Griffins and Gargoyles.

The woods preferred by makers of this period were walnut and oak, with some use of mahogany and rosewood. Below are some examples of furniture of the period

Some prominant Gothic furniture makers

Alexander Roux-

Alexander Roux was a French-trained ébéniste, or cabinetmaker, who emigrated to the United States in the 1830s. He opened a shop in New York City in 1837. The business grew quickly: by the 1850s he employed 120 craftsmen in his shop and introduced then-new industrial technologies, such as steam-powered saws.

William Burns-

From Scotland 1805-1867

New York New York Specialized in Gothic Furniture from 1842-1866

Daniels and Hutchins-

Troy New York. Cabinet maker 1836-1870

Joseph Meeks- (September 4, 1771 – July 21, 1868)[1] was a furniture maker in New York City who founded what would become a large firm that produced good quality furniture from 1797 to 1869.

Specialized in Gothic revival furniture and late Rococo revival furniture

The next style of Victorian Furniture we will discuss is Rococo Revival.

Rococo Revival 1840-1870's-It was Medium to large scale, Tufted upholstery with interior springs, Symmetrical scrolls and curves, C and S curves, Lavish, high-relief carvings of nature motifs, Curved cabriole legs on casters, Marble tabletops, Mahogany, rosewood and walnut. Feminine, resulting in furniture mostly for the parlor and bedrooms

Examples of Rococo style

John Henry Belter, a well-known Rococo Revival furniture maker, used laminated rosewood with deep carving and pierce work, and thick, upholstered, tufted seats and backs. Even the fabric was elaborate with floral designs. Below are some examples of Rococo Revival Furniture

Renaissance Revival- 1860-1885

The next style of Victorian Furniture we will discuss is Rococo Revival.

Renaissance Revival 1860-1880-The American Renaissance Revival furniture of the 1860s and 1870s marked the first period in which fine designs were used for mass-produced furnishings. Furniture from the 1870s ranged from works made in shops employing skilled craftsmen to the products of large Midwestern factories. Massive and masculine in form, deeply carved ornamentation, portrait and mask medallions and square form. High backed and forms were used decoratively over structurally.

Some prominent Renaissance revival furniture makers

Herter Brothers-

1864-1906 New York City New York

The firm of Herter Brothers, was founded by German immigrants Gustave and Christian Herter in New York City. It began as a furniture and upholstery shop/warehouse, but after the Civil War became one of the first American firms to provide complete interior decoration services. With their own design office and cabinet-making and upholstery workshops, Herter Brothers could provide every aspect of interior furnishing—including decorative paneling, mantels, wall and ceiling decoration, patterned floors, carpets and draperies. One of the greatest furniture makers of that time. Many pieces were privately commissioned for the elite in New York, Cleveland and San Francisco

Pottier and Stymus-

1853-1897 New York City New York

August Pottier, an immigrant from France, and William P. Stymus Sr. opened the company in New York City in 1859. Their workshop was on 115 Wooster Street, and their salesroom was at 623 Broadway.[1] The company grew quickly, and by 1871 the firm's factory occupied a full block on Lexington Avenue and 42nd Street, on the present site of the Socony–Mobil Building. By 1872, they employed 700 men and 50 women. Pottier & Stymus made furniture in the Neo-Greco, Renaissance Revival, Egyptian Revival, and Modern Gothic Styles.

Thomas Brooks-

1850-1870 Brooklyn New York

Thomas Brooks, was an important cabinet maker who supplied the New York market 1850's- the 1870's. He made a variety of elegant Victorian Renaissance Revival furniture such as bedroom sets, cabinets, bookcases, tables, and more, all of which are some of the most sought after American Victorian antiques in the world today.

M & H Shrenkeisen-

1870-1880's New York New York

A fine furniture maker focused on a broader middle range quality of furniture for a larger moderate group of people. Some of their work is sometimes mistaken for John Jelliff pieces.

John Jelliff-

1840-1876 Newark New Jersey

John Jelliff was Newark's most important furniture, chair, and cabinetmaker of the second half of the 19th century. Very few came close to replicating Jelliff's talents and accomplishments. For 50 of his 80 years, Jelliff ruled supreme as a leading Newark businessman and artist. Many of his pieces featured turned, tapered legs and carver faces on the arms and crest both female and male.

George Hunzinger-

1835-1898 New York New York

Inventor and cabinet maker. Maker of very unique style of furniture mostly in the Renaissance revival style. Maker of the patented folding chair.

The next style of Victorian Furniture we will discuss is Eastlake Movement furniture .

Eastlake Movement Victorian 1870's-1890's-The American Eastlake Movement furniture of the 1870's and 1890's was considered late Victorian and one of the last of the Victorian era. Eastlake Movement was named after the English architect Charles Locke Eastlake (nephew of Sir Charles Lock Eastlake) following the release of his influential book ‘Hints on Household Taste in Furniture, Upholstery and Other Details’. it came about as a response to his aversion to the over-the-top Rococo Revival and Renaissance Revival styles popular during the Victorian era. Eastlake furniture is still decorative, even if less prominently so than other Victorian styles. Look for geometric or floral motifs, carved in low relief, as well as those geometric brackets and turned spindles, spoon carving and a mixture of ebonizing and gilding. The furniture was square in form, not as tall as the previous styles but was at times very simple and other times a mixture of all the other styles with an Japanese and Egyptian influence. To many the most sought after of all Victorian furniture.

The next style of Victorian Furniture we will discuss is Aesthetic Movement which is part of the Eastlake Movement furniture .

Aesthetic Movement Victorian 1870's-1890's-The American Eastlake Movement furniture of the 1870's and 1890's was considered late Victorian and one of the last of the Victorian era. Part of that movement was a movement that incorporated.

A reaction against Victorian mass production, precursor to the Arts & Crafts gestalt, the movement of Ruskin, Morris, and Oscar Wilde has been called the “cult of beauty.”

A precursor to British Arts & Crafts reform, the Aesthetic Movement embraced Anglo–Japanese furniture. Popular motifs include the stork, sunflower, and lily's.

In the U.S., New York cabinetmakers the Herter Brothers dabbled in their own version of Anglo–Japanese style by the mid-1880s.

The flat planes, stylized designs, and nature-inspired motifs of the Anglo–Japanese style included storks and owls carved in the backs of chairs, beetles and spiders crawling up the handles

The next style of Victorian Furniture is cottage furniture which is part of the Eastlake Movement furniture .

Victorian Cottage furniture 1840's-1890's-The poor mans answer to Victorian. These pieces were in Eastlake styling as well as in earlier Gothic and Renaissance revival styling but more affordable for the general public. Considered less pretentious. Created mainly for Cottage homes. It was quite poular.

Usually in white, light grey and light blue colors. Very rare to find these days.

The next and final style of Victorian Furniture era is Golden Oak furniture which is a wonderful era with a wide range of furniture from the subdued taste influenced by The Eastlake movement to a revival of over the top carving and excess similar to the Rococo Revival style earlier with works by R J Horner

Golden Oak and custom furniture 1890's-1901-

Photo from Bradford Antiques

Notable Cabinet and Furniture makers of the Victorian era

John Henry Belter- Rococo revival
Herter Brothers- Renaissance revival, Eastlake, Aesthetic movement, Egyptian Revival
Pottier and Symus- Renaissance revival, Eastlake, Aesthetic movement, EgyptianRevival
George A Schastey
Thomas Brooks- Renaissance Revival
Berkey and Gay- Gothic Revival, Rococo Revival and Renaissance Revival
Francois Seignouret
Brazilia Deming & Eratus Bulkley
RJ Horner
Killian Brothers- Renaissance Revival, Eastlake and Aesthetic Movement
Leon Marcotte-Renaissance Revival, Eastlake and Aesthetic Movement
Alexander Roux- Gothic Revival and Rococo Revival
John Shaw
Elija Galusha
Henry Heitman
Joseph Conrad
M & H Shrenkeisen-Renaissance Revival and Eastlake
George Hunzinger-
George Henkles
Mitchells and Rammelsburg
Phoenix Furniture Co
Prudent Mallard
J and J Meeks
Karpen Brothers
Kimbel and Cabus
John Jelliff
Daniel Pabst
Gotlieb Vollmer
Allen Brothers
Herts Brothers
Charles Boudoine

Some photos were from Google some references are from Wikipedia, and American Furniture of the 19th Century by Eileen and Richard Dubrow